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piqer for: Global finds
Ciku Kimeria is a Kenyan author "Of goats and poisoned oranges" - (https://www.amazon.com/goats-poisoned-oranges-Ciku-Kimeria-ebook/dp/B00HBBWPI6), development consultant, adventurer and travel blogger (www.thekenyanexplorer.com). She writes both fiction and non-fiction focusing on African stories that need telling. She has worked on diverse pieces for various international and local publications including Quartz, Ozy, The East African etc. She has travelled to 45 countries – 16 of them in Africa. 153 countries to go and 63 territories!
"Of goats and poisoned oranges" has been extremely well received in Kenya and beyond. It tells the story of a Kenyan middle aged power couple and their complicated marriage. The novel explores issues of greed, revenge, betrayal and murder. It runs from the 1960s to 2013. It has been described as “Wicked, funny, poignant, wacky, human, a big ball of fun and danger”, “A unique and captivating book”, “Fun and intriguing”, “Impossible to put down once you start reading.”
She recently moved to Dakar, Senegal from Kenya to work on her second novel. She also works at as the Africa Communication Manager at a leading global strategy consulting firm.
She holds a B.S. in Management Science from MIT with minors in Urban Planning and International development studies.
However, to be ogbanje is to be categorized other and to bring alterity home in a way that transcends the more ordinary bifurcated ‘otherness’ of gender. We could even speculate that ogbanje children fall under a third category of gender, of human-looking spirit. This gender is marked from birth—as male and female statuses are marked—by special behaviors towards and physical adornment of the child. The sexual appearance of the ogbanje may, indeed, be seen as a sham—yet another promise that the ogbanje is likely to break in its refusal to act according to human norms.
Thus begins this article by a Nigerian transgender man who tries to understand his "unbelonging" in a body that is his. Five years into his transgender journey, he tries to understand his state through Nigerian spirituality—in particular that from the Igbo community. He digs into his heritage and finds solace in the Ogbanje. Ogbanje are described as spirits born into human bodies, but ones that deviate from reincarnation—unlike other beings they are not from the ancestors, but are somewhat malevolent spirits that are born into human bodies. An Ogbanje should never reproduce. That is what the writer reminds himself as he follows the strong urge to rid himself of his uterus.
While my gender had asserted itself in different ways since my childhood, one of its strongest features was always a violent aversion toward reproduction, toward having a body that was marked by its reproductive potential—a uterus to carry children, full breasts to feed them with.
As the writer struggles to find his way in a world that wants to define him as either female or male (with the appropriate organs to match that), he digs into his Nigerian heritage to confirm that his is not a longing brought on by Westernization, but actually something that has been understood by people throughout history.
There is a vivid history of mutilation with ogbanje: a dead one can be cut, scarred to prevent it from returning undetected.